Firecracker Photographic Grant
The Firecracker Photographic Grant is an annual award providing funding for a female photographer to aid with the completion of a documentary photographic project.
Through a combination of self-initiated fundraising and with the generous support of Genesis Imaging, the Grant fund is a minimum financial contribution of £2,000 plus credit of professional printing, mounting and framing services from Genesis Imaging.
Applications are open to female and non-binary photographers internationally. Submissions are judged by an independent panel of industry specialists from a cross section of disciplines and sectors, including picture editors, commissioners, art buyers and gallerists.
Submissions are subject to a £10 application fee, with all funding contributing to the Grant total.
Applications for 2019 are NOW OPEN until 4th August 2019. Announcement will be made 1st September 2019.
2019 Grant Judges
The Firecracker Photographic Grant is open to international female photographers or non-binary photographers. It will be awarded to a photographer based on the strength of visual portfolios and artist statements submitted. Applications will be judged by an independent panel of industry experts. The Grant intends to assist with the completion of a documentary photographic project and will be awarded as such.
Jo Metson Scott
The inaugural Firecracker Photographic Grant was awarded in September 2012 to British photographer Jo Metson Scott for her project ‘The Grey Line’, a sensitive documentation of ‘conscientious objectors’; American and British soldiers speaking out against the Iraq war. The book has since been highly commended and voted one of the best photo books of 2013 by Time, The Observer, The Telegraph and Empire.
“Receiving the Firecracker grant was a huge endorsement for me and for a piece of work I’d been struggling to find the right platform for. The award gave the work great visibility and the grant itself, as well as the support from Genesis, was instrumental in the final stages of bringing the work together as a book. Beyond being a grant, Firecracker connected me to a supportive group of photography professionals, who gave me the confidence to pull together a project I’d been working on alone for 5 years.”
The 2013 Firecracker Grant was awarded to Nadia Sablin, a Russian photographer living between Brooklyn and St. Petersburg, was chosen for her documentary project ‘Two Sisters’, a story of the photographer’s unmarried aunts who live a traditional and ancestral life in rural northwest Russia, tied to the land and to each other. The project allows us insight into their lives, relationship, identity and the place they call home; each photo offering quiet contemplation on time, aging and family relationships. Since then, Sablin has been awarded a fellowship by the New York Foundation for the Arts and exhibited the project at the Bellevue College in Washington State.
The judges also chose to Highly Commend the work of two additional photographers, Italian Myriam Meloni, nominated for her work on Moldova’s economic orphans, ‘Behind the Absence’ and German photographer Regine Petersen was selected for her constructive narrative about meteorite showers, ‘Fragments’. Each photographer was provided with a bursary of £500, mentoring from industry professionals and a contribution of Trolley publications.
In 2014 Armenian/American photographer Diana Markosian was awarded the Grant for her highly acclaimed project ‘Inventing My Father’, the photographers personal attempt to reconnect with her absent parent. By combining her own visual storytelling ability alongside archival and found photography, Markosian delivers a truly authentic and moving account, resulting in her viewer’s total absorption in, and commitment to, the story. The judges also commended British photographer Sian Davy for work exploring the artist’s daughter, ‘Looking for Alice’.
In 2015 Spanish photographer Lua Ribeira was awarded the Grant for her visually stimulating exploration of British dancehall culture. Her project, Noises in the Blood, explores the celebration of a ritual, embracing consciously the exotic stereotype towards a different culture looking at the immediate differences between photographer and the subject, opening a dialogue about the English Jamaican women and their manners within a shared context.
2017’s Firecracker Photographic Grant was awarded to Brazilian photographer Carolina Arantes for her work ‘First Generation’, an on-going project about the first generation of Afro-French women of France which speaks about national identity, mixed origins and culture deeply anchored in its historical tradition.